The past few sessions have been very productive. I think everybody feels the end getting close and we’re kicking it into high gear on this last straightaway.
Got vocals down on “Better Bring A Bomb” & “Heard The Shot” a few nights ago. Went very smooth. A few nights later we got the final rhythm gtr’s and bass track down on a new one called “She’s More Of A Night Person”. Jeff put down the gtr’s. He had to learn the parts on the spot as I had only written the tune a few weeks prior and never even made a demo. He stepped up and nailed it in only a few takes. They sound amazing and I have to tell you that if it wasn’t for friends lending us a bunch of extra gear (Gtr’s, Amp’s etc) the album wouldn’t be sounding as good as it does. Of course it would still be good, but just having all the options is just awesome. With that said, if it wasn’t for the Metal Band that we rent a practice space too at the studio the gtr’s would have suffered big time. Any time our little arsenal of Fender amps wasn’t cutting it sound wise we could just go into their room witch resembles a mini-Guitar Center and take our pick of a ton of really cool Marshall, Orange, Laney or Sunn amps not to mention the endless supply of weird, old efx pedals. We’ve been leaning pretty heavy on this old Sunn head and cab for the last couple of tunes (Jeff used it on this last track). I think it’s solid state. Man that fucker get some sweet overdriven tones. Not really “distorted”, just good and dirty.
Brian also had to learn the tune on the spot and I have to say, he nailed one sweet ass bass track that had us all smiling in the control room as he laid it down. I guess knowing it was the last bass track one the album he decided to let it rip. Bass? DONE! It was one of those really fun nights of recording.
So I can’t believe I forgot to tell you this little studio happening. Sometime last week we were recording a bass track when in-between takes we heard somebody come in front door downstairs. I thought it was Jeff as the rest of the band was already there, but Dave heard a girls voice as they came up the stairs. Turns out it was the owner of our building Ernie along with a Asian female associate in tow. She heard the music outside an insisted on coming up and checking out what was going on. She burst through the door and with a very heavy accent asked “Are you getting high?”. We told her no, just beer and cigarette’s. This chick was shot of a cannon man. She told us that she “Sing in wedding band” and proceeded to point at all out gear and tell us what it was. “I know dat, dat Fender”, “What’s dat, dat bass?”. We were all pretty well oiled on Miller High Life at this point and we’re trying to answer her questions, but it was like she was a 5 year old that had just learned all of here favorite instruments names and was let loose in a petting zoo of musical instruments. The most classic line of her visit was when she saw the Fender Telecaster with a sunburst finish hanging on the wall and declared two times in a row in a very excited tone “I know dat, dat sunburn!”. I almost lost my shit. So good. Of course the video camera was not rolling. Fuck! A lesson learned: Always roll tape……..always!
The black Strat is my main gtr and is all over this album. The other two are on loan from Dave's brother Mike.
Jeff behind the mic.
No more bass for you.
The vocal "booth".
The mighty Mica Fuzz Wau Wau! One of the many pedals we stole from the Metal Band. This thing is insane.